THE LAST MISSION is a family feel good story about the forgotten heroes of World War II. It is a character driven account of the aged survivors of a B-17 bomber crew reunited for one last mission by the impending death of their co-pilot. A contemporary version of The Best Years of Our Lives, it deals with growing old, losing power, purpose and control in one’s life, and of wanting to regain it again, if only for a little while. THE LAST MISSION is a tribute to all those who fought in WWII.

On their 24th bombing mission over Germany, Cap, the co-pilot, in a selfless act of courage, brings a crippled B-17 back to England, risking his own life to save the lives of the other crew members. Wounded and hospitalized, they end their tour of duty one mission shy of the required 25. Sixty-two years later five surviving crew members reunite around the hospital bedside of their savior, Cap. Suffering from cancer of the liver, he does not look or feel unduly sick, but in reality has only days to live. Once the movers and shakers of society, the elderly men are treated with disrespect, indifference, and disdain by the hospital staff. Refusing to leave his room, the men stage a marathon poker game at Cap’s bedside, complete with the quibbling and humor reminiscent of their war days. Cap joins the play as they recount their life stories with emphasis on current situations. As the stories unfold there is a sense of powerlessness over their lives.

The pilot, Baxter, owner of a large aerospace company and involved with NASA and the space industry since its inception, is poised to lose everything to the IRS because he placed loyalty to his employees above business sense. His inability to communicate his feelings of loss leads to friction with his loving wife of more than fifty-five years.

The navigator, Curly, once one of the best legal minds in Texas, is in the very early stages of Alzheimer’s. He attempts to hide his condition behind his trademark humor.

The side gunner, Preach, always spiritually minded, is retired from the ministry and wanting very much to remain useful.

The ball turret gunner, Red, is enmeshed in the legal and marital problems of his granddaughter and faced with supporting her and her children in place of her deadbeat husband.

The radio operator, Charlie, a successful investor and businessman, after a succession of failed marriages has found true love with a woman thirty years his junior. He anxiously considers the prospect of raising his sister-in-law’s orphaned teenage son.

And finally, the co-pilot, Cap, always strong-willed and pig-headed, does not want to die a slow death attached to life support. Cap wants out of the hospital and would give anything to be back flying with the crew. A widower, estranged from his son by his own stubbornness, regrets that he hasn’t reconciled.


After one last encounter with the doctors and staff, Baxter resolves not to take it any longer. He symbolically quits being a passenger, gets back into the pilot’s seat and rallies the rest of the crew, including Cap, to do likewise. Late night calls are made to their wives and friends, as each man reasserts control of his life.

Baxter and his wife reaffirm their love for each other and he admits the loss of their company has stirred unhealed feelings over the loss of their son in Vietnam which as a man he was unable to express.

Curly teams with Red resolving to use his remanding time and formidable legal skills to fight Red’s daughter’s legal battles.

Preach sees an unmet need for a hospital chaplain and decides to fill it.

Charlie begins to sound like the proud father.

Cap, stubborn to the end, determines that what little time he has left will not be spent under the control of this hospital or doctor. His hard veneer begins to crack as he petitions Baxter to call his son Howard for him. Cap’s son, finally worn down by Baxter and the crew, cancels all appointments and comes to his father for a tearful reunion. He introduces his father to his grandson and namesake.

Through a highly placed old friend in the military, Baxter arranges to transfer Cap to an Air Force Facility. A military ambulance stops on the flight line at Kelly Air Force Base and the men step out. They are clad in WWII uniforms and bomber jackets delivered by their wives. To their left is a flight line of modern fighter-bombers with their crews standing by. Beyond this is a contingent of WWII fighters from the Commemorative Air Force. On the other side of the ambulance stands a B-17, the name “Sentimental Journey” emblazoned on the side. As Cap is assisted from the ambulance, a military band strikes up. In a surprise ceremony the men are greeted by a military contingent, as their wives and family watch from the reviewing stand. In stark contrast to their treatment at the hospital, they are lauded in a speech as pioneers of the modern day Air Force, courageous and honorable men who today have all but been forgotten by a society woefully short on real heroes. A weak but obviously elated Cap is assisted on board the B-17. From the pilot’s window, he gives the thumbs up sign to the family and friends on the ground below, they return the gesture. Over the radio clearance is given for their 25th and final mission. As the B-17 taxis past modern fighter-bombers and crews, they each salute in turn as they are passed. Cap rests peacefully in the pilot’s chair, as Baxter, still an accomplished pilot, flies the plane from the co-pilot position. Airborne, Cap eases back in the pilot’s chair, closes his eyes, a contented look on his face, his hand slips from the throttle. They fly off into the sunlight escorted by modern fighter planes and vintage aircraft forming the missing man formation with the B-17. Cap’s grandson notices there is a plane missing and points it out to his father, who responds, “That’s for Granddad”.

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"Sentimental Journey" provided by Billy Ray Reynolds